The mercury retrograde is over and a fresh breeze of regeneration will be felt by all this Saturday, June 21 with the Avant Yard offering of “Ancient Futures: The DNA of Culture and Civilizations” at MoCADA, the Museum of Contemporary African Diaspora Arts at 5pm.

This multi-media group exhibition will confront socio-political boundaries in “underground” movements with a dynamic blend of painting, photography, installation art, photo-illustration, and music. Featured artists include, Terry Boddie, Fikisha C., Jennifer Crute, Francks Deceus, Joshua Humphries, Dirk Joseph, Laura James, Kip Omolade, William Rhodes, Danny Simmons, Jamel Shabazz, and Malik Yusef Cumbo (Avant Yard).

Live music will be presented by The Essential M.C. (CA), Game Rebellion (NY), The Welfare Poets (NY), Yolanda Zama (SA), Nucomme (TX), and a long awaited Survival Soundz reunion featuring Carla Csharp Gomez (ATL).

Known for giving young artists the stage to speak their voice, Avant Yard will set the day in bloom with a special photographic collaboration from the students of Life Academy High School for Film and Music from 2pm until 5pm.

An opening reception hosted by Defrei of Ahficianados with resident DJ’s, The Majestic Twinsound and Ahficial Music continues on to the main exhibition from 5pm until 9pm, including a dance from LOVESPACE MUSIC Alter-Native Movement.

MoCADA is located at 80 Hanson Place in Ft. Greene.

The entire event is FREE.

“Ancient Futures: The DNA of Culture and Civilization” will be on view at MoCADA through September 7^th, 2008.

For more info, click here

What do you get when you cross a French filmmaker and a closet jammed with shoes and books? The neat freaks and green-thinking among us, relax- for Mr. Brainwash, better known as MBW, it is only fodder for his art.

MBW has spent the last nine years attempting to make the ultimate documentary about graffiti art. While filming, MBW began putting his camera aside and making art of his own, displaying a Banksy-esque predilection for coloring on the walls. Graduating from a few hand drawn stickers to giant billboard sized paste-ups, MBW has become one of the most prolific street artists in California.

MBW’s first exhibition, “Life is Beautiful,” opens in Los Angeles this week, running four days in a former Hollywood studio complex. The exhibit features more than 300 paintings, sculptures and prints, alongside installations made from 100,000 of the aforementioned shoes and a life-size recreation of Edward Hopper’s “Nighthawks.” MBW also does his own take on graffiti, Andy Warhol and icons of American pop culture- neither Marilyn Manson, Michael Jackson nor anyone in-between, are spared his aerosol treatment.

For more information on Mr. Brainwash’s show, click here

Also, be sure to check out the opening reception, Wednesday, June 18, 7P-11P: the first 200 people walk away with a hand finished limited edition print by MBW himself.

Life is Beautiful
June 19 - 22

CBS Studios
6121 Sunset Blvd

Los Angeles, CA

“Tr: To Drink and To Penetrate Jubilantly,” Jean Faucheur

Every time I turn a corner into a bookstore, at least a dozen new graffiti books threaten my faith in this form. Ostensibly “art books,” these publications simply flood shelves with terrible photographs of mediocre wheatpaper posters and wall-scrawls as empty as the cans that were wasted on them. Art book? No — and it undercuts the value of graffitti to give these paperweights that pretense.

Then there are the gems, few and far between. Graffiti Paris, available this month from Abrams, is not exactly a gem, however. It suffers from the kind of documentary, head-on photography that leaves the graphic in the frame but little else, decontextualizing the work from the neighborhood that produced it. Especially in Paris, where geography permeates identity, that context is key.

But Graffiti Paris is still one of the better books out there. Paris is full of strong, living, fighting and politicized graffiti and Fabienne Grévy, the art historian and photographer who created Graffiti Paris, has a great eye for picking the quality pieces off a wall overrun by quantity.

As Grévy notes in the introduction, Graffiti Paris includes photographs taken over the last 15 years. The project’s priority was to preserve a record of Paris street art from the 1990s and late-80s, street art that will soon be worn away. In other words, the point here was never to make an “art book” exactly and, as a record of some of the best graffiti to grace The City of Lights in the past decade, Graffiti Paris is really rather good!

June 14th is certainly a day you should mark on your calendars in regards to art. Two events will be taking place, The Art of Digging and the Sonic Visual Arts Expo.

The Art of Digging will be going down at theLightGalleries in Costa Mesa, California. The event, which pays homage to the advancement and progression vinyl culture, brings awareness to the discrediting of music artists due to the increase in downloading. The event will include vinyl art and rare wax displays, live performances, record sales and exchange, and a special guest DJ. For more information click here.

Those on the East Coast can enjoy the Sonic Visual Arts Expo in Hamden, Connecticut that evening instead. Unlike The Art of Digging, this event focuses on the more conventional means of visual arts. Here, artists will be displaying and selling their work, along with a vast number of music acts. The headlining performances will feature Stephanie D’Ranged and Hellfire Graffix. Click here for ticket and location information.

Before pulling on that mask and shaking the spray can in preparation for greatness, before gracing the walls of countless buildings in efforts to share your vision and voice with the public, before any work of art there is a beginning. But there is rarely any documentation of these beginning stages and the intricate processes of the influential Graffiti genre.

Seeking to correct this are Sacha Jenkins — creator of Ego Trip Magazine and the White Rapper Show — and David Villorente, who have compiled Piecebook: Secret Drawings of Graff Writers, a book of sketches and rough drafts done by graffiti artists such as Dondi, Lee, T Kid, Lady Pink, IZ The Wiz, Kel 1st, Seen UA, Ali, Daze, Skeme, Noc 167, Cey, Part TDS, Don 1,West, Caine One, Mare, and many others.

On June 12th, Sacha Jenkins in collaboration with acclaimed artist Chino BYI and 10 Deep will put the book on display in a gallery reception for its release. The event takes place at Reed Space in New York City from 8-10pm.

For more information on how you can attend click here.

According to Greek Mythology, the king of Pessinus, King Midas, came across a Satyr named Silenus in his rose garden. King Midas treated him hospitably and kept him entertained with food and wine while Silenus told him stories and sung songs for ten days. On the eleventh day, King Midas brought Silenus back to his son Dionysus, who promised King Midas a reward of whatever he wanted. His choice was the ability to turn whatever he touched into gold…

In recent weeks, Barcelona has been experiencing its own taste of the Midas touch. Throughout the city, an unknown street artist has been painting ordinary everyday objects such as water fountains, public telephones and garbage cans gold.

So far, no developments have been made in regards to who the artist could be, but it’s been causing quite buzz. The press has referred to the unknown visionary as a guerilla or rebel artist because of his gutsy approach to a new take on visual art.

Yet, it comes off as something more than typical rebellion, and more like an attempt to open the eyes of the people to the beauty and value of their everyday surroundings.

Earlier this month, Paul D. Miller a.k.a. DJ Spooky almost gave me a heart attack. He’s been a mainstay on just about every iPod in circulation right now since his incredible, very smart and very addictive original spins and remixes first got bootlegged back in the 1990s.

With his second book, Sound Unbound, Miller made my brain explode — at least six times. A collections of writings about the ideas and practices of remix, digitalism, experimental arts and racialized culture, Spooky has nailed it: accessible and fascinating thoughts from the folks you want to hear them from.

Steve Reich breaks down his relationship with tech; Spooky theorizes sampling with precision and a word styling that reads like experimental electronica; Dick Hebdige un-images utopia; Ron Elgash eviscerates race and circuitry; Naeem Mohaiemen finds hip-hop’s Muslim roots; Brian Eno rants about bells; Saul Williams explores linguistics; and Chuck D’s in there too for good measure.

In all, there are 36 essays by some of the best and brightest wits and talents out there who work with remixes. Sound Unbound, in all likelihood, is destined to seen on taste-makers’ shelves and classrooms for a long time. And, it looks good.

There’s a CD in the back of the book that is probably the greatest mixtape sonic-scape of remix lore in history.

More here.

Since 1968, the Center for Traditional Music and Dance (CMTD) has been fighting a good fight with more than a little success. Seen by few and recognized by even fewer, the CMTD fights for immigrating artists who, like other talented and professional folks who change countries, often find not only that their credentials are belittled but that immigration sunders the connections that would enable them to continue living as culture-makers.

But the work of the CMTD is not just about the first generation; it’s about the next and the one after that. In their decades of operation, their courses and touring artists have sparked the American-born to remember additional roots — other ways to voice themselves and move through space.

Celebrating 40 years of reconnecting artists — and artists-to-be — living in diaspora in New York, the CMTD will host a benefit-cum-dance party next Thursday, June 5th at the Hiro Ballroom.

Performing are David Oquendo, whose Afro-Cuban, rock-inflected jams earned him a Grammy; Merita Halili and the Raif Hyseni Orchestra’s soprano Albanian folk tunes; the all-women Cherish The Ladies traditional Irish music troupe whom BBC named the Best Musical Group of the Year (during the benefit dinner); and Banghra’s sonic steel sweetheart, DJ Rekha.

Directions here and more information on the CMTD’s work here.

The CMTD Benefit and Dance Party
Thursday, June 5th
9 : 00 pm — 11 : 30 pm
The Hiro Ballroom
16th Street and 9th Avenue, NYC

Kicked off with a Truth and Soul remix of Dinah Washington’s “Cry Me A River” that echoes like liquid smoke in a hot lounge, the latest Verve Remixed compilation doesn’t mess around.

Like the three volumes before it — all crammed with delicious remixes of sweet, sweet old soul, funk and motown loves — Verve Remixed 4 puts living legends like Antibalas, 9th Wonder, Cinematic Orchestra and Diplo into the studio with larger-than-life legends like Anita O’Day, Ella Fitzgerald, James Brown and — because no Verve would be complete without it — the High Priestess of Soul herself, Nina Simone.

The series as a whole, re-released as a four volume box set also this week, is one of my favorite examples of remix magic. In these tracks, remix is not the shoddy production trick it’s become, but finds again it’s power to transcend; the voices that cooed and screamed sonic life into this American century’s social movements go hoarse again, brought to bear through remix on the ills we still live with and the fights that don’t stop.

As the Priestess sings, “I can’t stand it no more, so why don’t you give me some”; check out Dinah’s Truth and Soul here.

Punk has been through some rough times. It’s been loved, feared, reviled, killed, rekindled, academicized, imported, mutated and borrowed from since Johnny Rotten first learned to scream and working white boys in Londontown first fell in love with dub system’s DIY culture.

Following in the curatorial footsteps of the Summer of Love exhibit, which also made a splash in New York this summer, Vienna’s Kunsthalle opened Punk. No One Is Innocent last week.

Like Summer of Love, Punk. No One Is Innocent tries to capture the signification-destroying spirit of the movement through its relics, art and artifacts — creating a fascinating and eclectic scrapbook experience.

But, also like Summer of Love, the best thing is that these art and ephemera are grouped by birth location — New York, London and Berlin — highlighting punk’s global appeal as a youth power/art movement and the movements’ local productions.

Bond a little here.